38.EVIL STRUCTURES

 

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Pyramids

This is a typical Egyptian pyramid


On the left is the Los Angeles City Hall building, on the right is another government building. Notice that the top of both buildings are fashioned after typical Egyptian pyramids. They are all over the world!The Temple of Inscriptions at Palenque - Click for hi-res image

IJewel inside a Dream

Egyptian obelisk, the male phallus symbol representing strong masculine energy

This is the Washington Monument... They are all over the world!In the Vatican!

 

This is the Capitol Building. The dome shape at the top is modeled after the form of the female breast, which comes from ancient worship of the feminine aspects of nature (i.e.. "mother" nature)

 

Figure 32:

The Pyramid and All Seeing Owl The roadways within 
the congress grounds and the two main thoroughfares leading 
away create an owl sitting on a pyramid around the congress 
Building. The owl is symbolic of Moloch, to whom children have 
been sacrificed for thousands of years.

The White House is located at the bottom of the inverted pentagram and is designed as being in the belly of an owl (referring to the Pagan God Moloch) standing on top of the Illuminati pyramid in the place of the capstone. Washington D.C. has also been exposed of having over 20 complete zodiacs and over 1,000 astrological symbols.

This is the PentagonIt is fashioned after the center of an inverted or reversed pentagram, which in "magick" terms represents polar or negative energy. Its location on the grid also has astrological significance since it is pointed towards the North, where the spirits of war would be invoked from in ancient traditions

 

 

 

 

 

This is the Lincoln Memorial

 

Notice also how it is fashioned after an Greek Parthenon temple found in a standard necropolis (city for the dead)

 

 

This is the Lincoln statue itself

 


It is actually fashioned after "The Emperor" tarot card, which represents authority, will, and power in Divination arts.

 

 


This is the Jefferson Memorial building

 

It is just a replica of a Roman Pantheon (temple for the Gods)

The streets of Washington D.C. are actually designed as an inverted pentagram.Washington D.C. is absolutely infested with occult and astrology symbols.

In his book, Ovason documents the location of over 23 Satanic zodiacs in the federal district alone!  Why should God bless America?

US Captial Building by Paul Barry.

Above the dome of the Capitol building stands Lady Libertas, the goddess Isis.

 

Guarding the entrance to the Capitol building is Nimrod (Baal) in the likeness of the Roman god Mars, whom the Egyptians called Osiris.  As you can see from the image below this entrance is identical to that of the Roman Panthenon of the Gods - as well as the Greek Parthenon.

The central part of the Supreme Court building is modeled after the Temple of Artemis, one of the 7 wonders of the ancient world.

The George Washington Masonic Memorial, modeled after descriptions of the Pharos of Alexandria - another wonder of the ancient world, sits across the Potomac in Alexandria, Virginia just inside the diagonal square border of D.C.

This statue of Washington in the Smithsonian Museum of American History was modeled after descriptions of the statue of Zeus at Olympia, one of the 7 wonders of the ancient world.  The museum is aligned to the cardinal directions, the statue sits at the western end of the main floor facing east.  Compare this portrayal of Washington to the images of Zeus and Baphomet - do you notice any similarities?


 

HERE IS THE DENVER AIRPORT TAKE A LOOK AT THESE PICS



An apocalyptic horse with glowing red eyes welcoming visitors? Check.

Nightmarish murals? Check.

Strange words and symbols embedded in the floor? Check.

Gargoyles sitting in suitcases? Check.

Runways shaped like a Nazi swastika? Check.

OK, this place is evil.

But seriously, there are so many irregularities surrounding the DIA, that a voluminous book could be written on the subject.  The facilities and the art displayed lead many observers to believe that the DIA is much more than an airport: it is literally a New-Age cathedral, full of occult symbolism and references to secret societies. The art at the DIA is NOT an aggregation of odd choices made by people with poor taste, like many people think. It is a cohesive collection of symbolic pieces that reflect the philosphy, the beliefs and the goals of the global elite. The DIA is the largest airport in America and it has cost over 4.8 billion dollars. Everything regarding this airport has been meticulously planned and everything is there for a reason.

The Airport

The airport facilities themselves raised a ton of questions regarding the true purpose of the mega-structure. Numerous “creative” theories are floating around the DIA regarding underground military bases, aliens and/or reptilian creatures. While I’m aware that anything is possible, we will stick to the documented facts.

The airport was built in 1995 on 34,000 acres. Its construction forced the Stapleton International airport to shut down, although it used more gates and runways than the DIA. The initial cost of construction was 1.7 billion $ but the final project elevated the bill to 4.8 billion: 3.1 BILLION $ over budget.  Numerous irregularities have been reported regarding the construction of the site:

  • Different contractors have been hired for different parts of the airport. They’ve all been fired after their job was done. This lead observers to believe that it was a strategy to make sure nobody had the full scope of the project.
  • 110 million cubic yards of earth have been moved, way more than usually required. This arose suspicion of construction taking place underground.
  • 5300 miles of fiber optics were installed for communications (USA coast to coast is 3000 miles in comparison).
  • Fueling system that can pump 1000 gallons of jet fuel per minute. This amount is totally absurd for a commercial airport.
  • Granite imported from all over the world even if the project was already grossly over budget.
  • Construction of a huge tunnel system (trucks can circulate in them) and underground trains. Most of those aren’t used at the moment.

Analysis of the data available makes me reach at least one conclusion: this gigantic structure will eventually become much more than a regular commercial airport. It has the capacity to handle a huge amount of people and vehicles, leading observers to think that the structure might be used as military base and others even add that it will be used as a civilian concentration camp in the near future. I will not advance on this subject because I do not have proof of those claims. I however would understand why such plans would be top secret. Let’s look at the soothing, traveler-friendly art on display at the DIA.

1- Horse of the Apocalypse


So this is what welcomes you when you enter the gates of hell…sorry, I meant the gates of the airport. A 32 foot high fiberglass stallion with veins popping out of its whole body and demonic eyes that glow red. Nice. I heard the children love it. Interesting fact: the horse killed his creator, Luis Jimenez, while he was working on it. A portion of the sculpture came loose and smashed him, causing fatal injuries. His friends now say that the horse is cursed.

What does it represent? The 1st thing that came to mind when I saw this horrendous piece (for an aiport anyways) is: the Pale horse of the Apocalypse. It is the fourth horse in the book of Revelation in the Bible and is approprietely called “Death”.

“And I looked, and behold a pale horse;
and his name that sat on him was
Death, and Hell followed with him. And
power was given unto them over the
fourth part of the earth, to kill with
sword, and with hunger, and with
death, and with the beasts of the earth”.

-Revelation 6:7-8

In other words, the horse “Death” brought killing with weapons, with hunger, and with disease. That’s pretty extreme a family airport, right? Doesn’t seem like that horse should be there. You will soon realize that it fits perfectly with the rest of the DIA. By the way, this is one scary horse anus!

2- Masonic Capstone

The stone is situated in the “Great Hall” of the airport (term that is also used by masons to refer to their meeting hall). There’s Freemason symbols on the stone and on the “keypad” which seems to be written in braille.

Notice on the capstone the mention “New World Airport Commission”. This particular commission does not exist, so it most likely refers to the New World Order. There is also a time capsule buried under the stone to be opened in 2094. The angled arm is very enigmatic seems to have a purpose other than being decorative. Any insights on this?

3- Prophetic Murals

Divided into four walls, the murals painted by Leo Tanguma are supposed to represent peace, harmony and nature. But I’m not getting these messages at all. When you analyze the symbolism of the murals, you realize that they tell a terrifying story of future events about to happen, as if it was some sort of prophecy. There are specific social and political references and other occult details that basically turn those paintings into a New World Order manifesto. Tanguma reportedly confirmed that he was given guidelines for the paintings and was paid 100 000$ for the first ones. He later denied he was given instructions and refuted any questions regarding hidden meanings in his paintings. Previous Leo Tanguma murals were typical Chicano art, politically charged and community oriented. However, his work at the DIA sends a totally different “vibe”, giving me the gut feeling that he simply drew someone else’s vision. Let’s look at the paintings one by one:

  • A) “Peace and Harmony with Nature

So the airport’s official website says that the name of the mural is called “Peace and Harmony with Nature”. Really? At the center of the piece, saddened children with extinct animal and plant species. In the background, a forest on fire and further back, a city on fire.

An interesting fact about that city is that it has been retouched and painted over many times during the years, as if it represents something important for the creators. It seems surrounded by an ill colored haze, as if it was attacked by a bio-chemical weapon.

One of the children holds a Mayan tablet depicting the end of civilization.

At the bottom, of this peaceful painting, we see three open-caskets containing dead girls from different cultures. Left is a Black woman, center is a Native woman. Why are they laying there with the other animals? Are we predicting the extinction of those races? We already know that the military has developed race-specific chemical weapons. Here’s what the Project for New American Century (PNAC), a think tank that defines the foreign and defence policy of the US has to say about this:

"... the art of warfare ... will be vastly different than it is today ...
“combat” likely will take place in new
dimensions ... advanced forms of biological warfare that can “target” specific
genotypes may transform biological warfare from the realm of terror to a
politically useful tool."

The girl on the right holds a Bible and a yellow “Juden” star used by the Nazi to identify jews. It seems to symbolize the death of Judeo-Christian beliefs. The group at the origin of the imagery of this airport are definitively NOT Christian or Jewish. Secret societies have their own belief system that is way too complex to explain here (check the “Educate Yourself‘ section for more info). I can however tell you that caskets are an important part of masonic symbolism as you can see in the next image depicting the main symbols of freemasonry. Tombs are also a big part of the Skull and Bones’ rituals.

  • B) Children of the World Dream of Peace

The 2nd mural is a two part piece. We read from left to right, so I will analyze it from left to right.

Children of all colors, dressed in folkloric costumes give weapons wrapped in their country’s national flag to a… German boy? Huh? Yes the Bavarian costume leaves no doubt. The boy at the center of the image, holding the hammer and apparently building something is German. Even the American kid (dressed as a boyscout) seems eager to give his weapons and flag to the German boy. You’re in the largest airport of America, in the middle of the USA, and this is the mural we  display. America joyfully submitting to Germany. It’s just too odd to compute. This obviously represents countries of the world giving up their military might and their national identity for “the common good”. Another reference to a New World order, with one government and one army. But why is the German boy at the center of everything? There are so many allusions to Germany and Nazism in this airport, there is NO WAY it can be a coincidence. I can’t help but to think of”Operation Paperclip“, which brought prominent Nazi scientists and researchers to the USA after WWII. Laying at the bottom of the mural is a broken figure holding a riffle (representing war) with two doves sitting on top of it (representing peace). Heartwarming. Now follow the movement the of the rainbow that starts underneath that statue, going around the children and leading you to part II of the mural (which has recently painted over)

  • Part 2

The monster has awakened! This big and aggressive militaristic figure is dressed in a Nazi uniform (notice the symbol on the hat) with a face shaped like a gas mask. His hands are holding a rifle and a scimitar that is rather violently molesting the peace bearing dove. On the left is depicted an endless lineup of crying parents holding their limp, dead baby. This is a truly atrocious painting, with no redeeming message or moral. The fact that this was displayed at the main gate of the largest airport of America, during the age of political correctness (the nineties) is totally aberrant. The militaristic figure is glorified and all-powerful,  situated at the center of the action. It has regained its powers that it seemed to have lost after WWII. It is back in full force and its leading the way to a new holocaust.

Look closely at the people on the left and the dead children sleeping on bricks. There is no traces of violence on them. They’re simply devoid of life, as if they were poisoned by the deadly gas emanating from the rainbow above them.  The monster, protected by his gas mask, is pointing the lineup of victims towards the letter on the bottom left.

It is an actual letter written by a Hama Herchenberg, 14 years old, that died December 18, 1943 in Auschwitz Concentration camp (as written at the bottom of the letter). A little disturbing isn’t it. Auschwitz was infamous for it use of toxic gas.

The camp commandant, Rudolf Höß, testified at the Nuremberg Trials that up to 3 million people had died at Auschwitz, about 90 percent of whom were Jews. Most victims were killed in Auschwitz II’s gas chambers using Zyklon B
(source: Wikipedia).

The presence of a colorful rainbow and a teddybear in this image, symbols our minds instantly associate with youth and innocence, is totally sickening and twisted. One last thing about the scimitar: it is a symbol often used in masonic imagery:

  • C) Peace and Harmony with Nature

What do you do when you’ve killed most of the world population with toxic gas? You celebrate around a genetically-modified-glowing plant of course! Happy people from all over the world irresistibally heading towards that plant, some are almost flying towards it. Right above this plant (that doesn’t exist in real life) is a Jesus-like figure but is definitevely not Jesus.

All of the instinct species of the 1st mural are all back in action and you even see a little dove appearing in the plant. How nice. They feel so much better now that there’s much less people on earth now. The animals are happy too and they thank you for dying. People can now use high levels of scientific knowledge to live in a state of synthetised happiness provided by genetically modified plants. Good for them. The whales are jumping in the air, high-fiving humans. If you look closely at the baby tigers, they have faces of human children. Its it quite bizarre. This whole piece reaks of genetic modification and magick.

To sum up, those murals clearly depicted admitted goals you can read in documents calling for a New World Order:

  • Massive depopulation of the earth
  • Death of Judeo-Christian beliefs
  • One World goverment
  • Restauration of nature

If you’ve read my piece about the Georgia Guidestones, you might notice that the themes are strickingly similar. Coincidence? The Georgia Guidestones also feature a capstone with a time capsule buried under it. There is no “conspiracy theory” here, those are facts. Everything is written in stone for you to see. The elites own this place and they build monuments to celebrate their culture. Their “divine knowledge” is however inaccessible to you unless you’re a high ranking member. There is so much to interpret in those murals that I’m convinced I’ve missed alot of details (colors, shapes, movement, symbols).

3- The Swastika Runway

After seing all of the allusions to Nazi Germany, would you be surprised if the runways were shaped like a swastika? Here’s an aerial view of the runways and below is how the runways appear in Google Map. Draw your own conclusions.


View Larger Map

I highly doubt that the guy who drew the runways did not notice their odd shape. I mean, someone in the process of drawing and/or building had to say “Wait a minute, this kinda looks like that Nazi symbol! We should maybe change it! We don’t want our new 4,1G$ airport to be offensive or anything”. But that did not happen for some reason.

4- Other weirdness

Like I’ve said before, a book could be written on the DIA, so I’ll leave you with unsorted oddities you can see at the DIA.

  • Garoyles

The symbolism of gargoyles has always been a mystery. Nobody can really explain the reason of their presence, specifically on religious buildings. Are they remnants of past pagan beliefs that never went away? Do they represent something only “illuminated” people know about?

“What are these fantastic monsters doing in the cloisters under the very eyes of the brothers as they read? What is the meaning of these unclean monkeys, strange savage lions and monsters? To what purpose are here placed these creatures, half beast, half man?
-St Bernard of Clairvaux, 12th century

  • The floor



??IS THIS THE nazi swastik symbol??

PLESE LOOK UP OPREATION PAPER CLIP




TAKE A LOOK AT THIS VIDEO HOW IT MAY SHOW WHAT MAY BE THERE EVIL PLAN!


OPREATION PAPER CLIP  NAZI CAME TO THE US!


 

These photos are of a strange set of symbols that run in the floor from the south end of The Great Hall on Level 5 and progress to the north end of The Great Hall.  Note the black disk which is occulting the sun.  There is no mistaking the architecture in the floor as depicting the sun, and the black disk is beginning to eclipse it.  When we arrive at the north end of The Great Hall, there is a statue of Jeppesen which is covering the sun. Is it a reference to the black sun, as worshiped by the Nazis?

  • ????

Is it supposed to be “native” art representing mother earth? Looks like an alien “sprinkling” life on earth. Whats with the little faces at the top of the painting? Are they alien watching us from space? I don’t know, I can’t find any information about this piece. It makes me think of crop circles for some reason.

 

 

 

 

THEY WORSHIP STRUCTURES AND ERECT THEM READ ABOUT

The Georgia Guidestones

is this there plans for all of us?



On one of the highest hilltops in Elbert County, Georgia stands a huge granite monument. Engraved in eight different languages on the four giant stones that support the common capstone are 10 Guides, or commandments. That monument is alternately referred to as The Georgia Guidestones, or the American Stonehenge. Though relatively unknown to most people, it is an important link to the Occult Hierarchy that dominates the world in which we live.

The origin of that strange monument is shrouded in mystery because no one knows the true identity of the man, or men, who commissioned its construction. All that is known for certain is that in June 1979, a well-dressed, articulate stranger visited the office of the Elberton Granite Finishing Company and announced that he wanted to build an edifice to transmit a message to mankind. He identified himself as R. C. Christian, but it soon became apparent that was not his real name. He said that he represented a group of men who wanted to offer direction to humanity, but to date, almost two decades later, no one knows who R. C. Christian really was, or the names of those he represented. Several things are apparent. The messages engraved on the Georgia Guidestones deal with four major fields: (1) Governance and the establishment of a world government, (2) Population and reproduction control, (3) The environment and man's relationship to nature, and (4) Spirituality.

In the public library in Elberton, I found a book written by the man who called himself R.C. Christian. I discovered that the monument he commissioned had been erected in recognition of Thomas Paine and the occult philosophy he espoused. Indeed, the Georgia Guidestones are used for occult ceremonies and mystic celebrations to this very day. Tragically, only one religious leader in the area had the courage to speak out against the American Stonehenge, and he has recently relocated his ministry.

 


 

This structure has to be one of the most outrageous ever plopped down on the planet earth!  The arrogance of whoever put this thing together is beyond all sense of basic human decency and respect for ALL human life.   I'm just amazed they have not been reduced to rubble.  The first inscription on these slabs advocates the elimination of almost everyone on this planet, except for 500 million that is.  Gee, I wonder who gets to pick who those 500 million will be?  And I wonder who's going to make all the other decisions listed on the tablet for the remaining lucky survivors.  

It just makes me sick.   This is classic B.S. by the global control freaks.  They start out by telling you they want most of you DEAD.  Then claim to have all this reverence for life and nature and your well being.  Where is the ADL over this one?  You'd think they'd be all over this like stink on a pig.  This is a friggin monument to a global holocaust!

And it is my friends.  They are well on their way.  They have poisoned our water, our air, our food supply and if you haven't seen the stories on this site about the coming pandemic they are going to unleash, well, please do yourself a favor and check out our Bird Flu/Avian Flu Topic Section.

* * * * * * * * *



From the Radio Liberty Web Site:

On one of the highest hilltops in Elbert County, Georgia stands a huge granite monument. Engraved in eight different languages on the four giant stones that support the common capstone are 10 Guides, or commandments. That monument is alternately referred to as The Georgia Guidestones, or the American Stonehenge. Though relatively unknown to most people, it is an important link to the Occult Hierarchy that dominates the world in which we live.


The origin of that strange monument is shrouded in mystery because no one knows the true identity of the man, or men, who commissioned its construction. All that is known for certain is that in June 1979, a well-dressed, articulate stranger visited the office of the Elberton Granite Finishing Company and announced that he wanted to build an edifice to transmit a message to mankind. He identified himself as R. C. Christian, but it soon became apparent that was not his real name. He said that he represented a group of men who wanted to offer direction to humanity, but to date, almost two decades later, no one knows who R. C. Christian really was, or the names of those he represented. Several things are apparent. The messages engraved on the Georgia Guidestones deal with four major fields: (1) Governance and the establishment of a world government, (2) Population and reproduction control, (3) The environment and man's relationship to nature, and (4) Spirituality.

In the public library in Elberton, I found a book written by the man who called himself R.C. Christian. I discovered that the monument he commissioned had been erected in recognition of Thomas Paine and the occult philosophy he espoused. Indeed, the Georgia Guidestones are used for occult ceremonies and mystic celebrations to this very day. Tragically, only one religious leader in the area had the courage to speak out against the American Stonehenge, and he has recently relocated his ministry.

THE MESSAGE OF THE GEORGIA GUIDESTONES

  1. Maintain humanity under 500,000,000 in perpetual balance with nature.
  2. Guide reproduction wisely - improving fitness and diversity.
  3. Unite humanity with a living new language.
  4. Rule passion - faith - tradition - and all things with tempered reason.
  5. Protect people and nations with fair laws and just courts.
  6. Let all nations rule internally resolving external disputes in a world court.
  7. Avoid petty laws and useless officials.
  8. Balance personal rights with social duties.
  9. Prize truth - beauty - love - seeking harmony with the infinite.
  10. Be not a cancer on the earth - Leave room for nature - Leave room for nature.

Limiting the population of the earth to 500 million will require the extermination of nine-tenths of the world's people. The American Stonehenge's reference to establishing a world court foreshadows the current move to create an International Criminal Court and a world government. The Guidestones' emphasis on preserving nature anticipates the environmental movement of the 1990s, and the reference to "seeking harmony with the infinite" reflects the current effort to replace Judeo-Christian beliefs with a new spirituality.

The message of the American Stonehenge also foreshadowed the current drive for Sustainable Development. Any time you hear the phrase "Sustainable Development" used, you should substitute the term "socialism" to be able to understand what is intended. Later in this syllabus you will read the full text of the Earth Charter which was compiled under the direction of Mikhail Gorbachev and Maurice Strong. In that document you will find an emphasis on the same basic issues: control of reproduction, world governance, the importance of nature and the environment, and a new spirituality. The similarity between the ideas engraved on the Georgia Guidestones and those espoused in the Earth Charter reflect the common origins of both.

Yoko Ono, the widow of John Lennon, was recently quoted as referring to the American Stonehenge, saying:

"I want people to know about the stones ... We're headed toward a world where we might blow ourselves up and maybe the globe will not exist ... it's a nice time to reaffirm ourselves, knowing all the beautiful things that are in this country and the Georgia Stones symbolize that. "

What is the true significance of the American Stonehenge, and why is its covert message important? Because it confirms the fact that there was a covert group intent on
(1) Dramatically reducing the population of the world.
(2) Promoting environmentalism.
(3) Establishing a world government.
(4) Promoting a new spirituality.
Certainly the group that commissioned the Georgia Guidestones is one of many similar groups working together toward a New World Order, a new world economic system, and a new world spirituality. Behind those groups, however, are dark spiritual forces. Without understanding the nature of those dark forces it is impossible to understand the unfolding of world events.

The fact that most Americans have never heard of the Georgia Guidestones or their message to humanity reflects the degree of control that exists today over what the American people think. We ignore that message at our peril.



The Age of Reason was a book written by Thomas Paine. Its intent was to destroy the Judeo-Christian beliefs upon which our Republic was founded.



The hole that you see in the stone was drilled in the Center Stone so that the North Star could be visualized through it at any moment. This was one of several requirements stipulated by R.C.Christian for the building of the American Stonehenge and reflects his obsession with the alignment of the stars, the sun, and the moon. Occultists often worship the alignment and movement of heavenly bodies as part of their religious ceremonies 



Explanatory Tablet
The explanatory tablet, immediately west of the edifice.

A few feet to the west of the artifact, an additional granite ledger has been set level with the ground. This tablet identifies the structure and the languages used on it, lists various facts about the size, weight, and astronomical features of the stones, the date it was installed, and the sponsors of the project. It also speaks of a time capsule buried under the tablet, but the positions on the stone reserved for filling in the dates on which the capsule was buried and is to be opened are missing, so it is not clear whether the time capsule was ever put in place. The tablet is with one edge to each of the cardinal directions, and is inscribed such that the northern edge is the "top" of the inscription.

The complete text of the explanatory tablet is detailed below. The accompanying image shows the overall layout. The tablet is somewhat inconsistent with respect to punctuation, and also misspells "pseudonym". The original spelling, punctuation, and line breaks in the text have been preserved in the transcription which follows.


The text of the tablet is as follows: e center of each tablet edge is a small circle, each containing a letter representing the appropriate compass direction (N, S, E, W).

At the top center of the tablet is written:

THE GEORGIA GUIDESTONES

CENTER CLUSTER ERECTED MARCH 22, 1980

Immediately below this is the outline of a square, inside which is written:

LET THESE BE

GUIDESTONES

TO AN AGE
OF REASON

Around the edges of the square are written the names of four ancient scripts/languages, one per edge. Starting from the top and proceeding clockwise, they are:

BABYLONIAN CUNEIFORM
CLASSICAL GREEK
SANSKRIT
EGYPTIAN HIEROGLYPHICS

("Egyptian Hieroglyphics" is not properly the name of a script; a better name would be "Demotic.")

On the left side of the tablet is the following column of text:

ASTRONOMIC FEATURES:

1. CHANNEL THROUGH STONE

INDICATES CELESTIAL POLE.

2. HORIZONTAL SLOT INDICATES

ANNUAL TRAVEL OF SUN.

3. SUNBEAM THROUGH CAPSTONE

MARKS NOONTIME THROUGHOUT
THE YEAR

AUTHOR: R.C. CHRISTIAN

(A PSEUDONYN)

SPONSORS: A SMALL GROUP

OF AMERICANS WHO SEEK
THE AGE OF REASON

TIME CAPSULE:
PLACED SIX FEET BELOW THIS SPOT
ON
TO BE OPENED ON

The words appear as shown under the time capsule heading; no dates are engraved. (The word pseudonym is misspelled on the stone.)

On the right side of the tablet is the following column of text:

PHYSICAL DATA

1. OVERALL HEIGHT - 19 feet 3 inches (5.9 m)
2. TOTAL WEIGHT - 237, 746 POUNDS
3. FOUR MAJOR STONES ARE 16 feet (4.9 m),

FOUR INCHES (102 mm) HIGH, EACH WEIGHING
AN AVERAGE OF 42, 437 POUNDS.

4. CENTER STONE IS 16 feet (4.9 m), FOUR-

INCHES HIGH; WEIGHS 20, 957
POUNDS.

5. CAPSTONE IS 9 feet (2.7 m), 8-INCHES

LONG; 6 feet (1.8 m), 6-INCHES WIDE;
1-foot (0.30 m), 7-INCHES THICK. WEIGHS
24,832 POUNDS.

6. SUPPORT STONES (BASES) 7-FEET,

4 INCHES LONG 2 feet (0.61 m) WIDE.
1-foot (0.30 m), 4 INCHES THICK, EACH
WEIGHING AN AVERAGE OF 4,875
POUNDS.

7. SUPPORT STONE (BASE) 4-FEET,

2 1/2 INCHES LONG, 2 feet (0.61 m), 2-INCHES
WIDE; 1-foot (0.30 m), 7-INCHES THICK.
WEIGHT 2,707 POUNDS.

8. 951 cubic feet (26.9 m3) GRANITE.
9. GRANITE QUARRIED FROM PYRAMID

QUARRIES LOCATED 3 MILES WEST
OF ELBERTON, GEORGIA.

Below the two columns of text is written the caption:

GUIDESTONE LANGUAGES:

Below this is a schematic diagram of the upright stones of the structure, consisting of a small rectangle surrounded by four longer rectangles projecting to the northwest, northeast, southwest and southeast. The names of eight modern languages are inscribed along the long edges of the projecting rectangles, one per edge. Starting from due north and moving clockwise around the diagram (so that the upper edge of the northeast rectangle is listed first), they are:

ENGLISH
SPANISH
SWAHILI
HINDI
HEBREW
ARABIC
CHINESE
RUSSIAN

At the bottom center of the tablet is the following text:

ADDITIONAL INFORMATION AVAILABLE AT ELBERTON GRANITE MUSEUM & EXHIBIT
COLLEGE AVENUE, ELBERTON, GEORGIA



 

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